In the work on Tresigallo, I investigate a rational architecture conceived as a unified and coherent project, in dialogue with the research of Metaphysical painting and with a twentieth-century tradition of architectural abstraction.

Through controlled framings and neutral light, I isolate volumes and geometries, introducing painterly surfaces that open space to an imaginary dimension, between suspension and silence. Photography operates as a perceptual device, placing the constructed reality and mental space in tension.